Invited to intersect the retrospective of Oswaldo de Andrade’s exhibition held at the Contemporary Museum of Art to commemorate, as a founder of the 1922 brazilian “Modern Week”.
This exhibition occurred within the building of Oscar Niemeyer.
The installation consisted of collided vehicles constructed
with dexion, casters, and framed gold large photomontages.
The architectural vehicles pealed from the existing
Niemeyer’s glass skin façade and collided cannibalistically with the modern. An installation that re visited and examine the modern movement.
